I would not make it my only reverb, but would have one for that something different.While it may not be a 224X, released the same year, it does offer a taste of the Lexicon sound.Add to these the 50 programs you can create and store in user registers, and you have instant access to more than 90 programs.
If creative control is what you are after, more than 70 different parameter types can be edited to produce just the sound you need. Everything from delay times to feedback, filters, panning, and early reflections. Lexicons Dynamic MIDI gives you real-time remote control over up to ten different parameters at the same time from a MIDI keyboard or sequencer. You can patch any effects or reverb parameter to any variable MIDI controller on your synthesizer-modulation wheel, pitch wheel, data entry slider, sustain switch, and others. You can also patch parameters to vary with MIDI events like key velocity, pressure, or aftertouch. You can patch any effects or reverb parameter to any variable MIDI controller on your synthesiser modulation wheel, pitch wheel, data entry slider, sustain switch, and others. If you have a sequencer, control changes sent to the Lexicon PCM 70 from your keyboard or controller can be recorded and repeated perfectly-every time. A corresponding register feature lets you choose effects or reverb programs remotely, from sequencers, synthesizers, and other MIDI devices. To top it all off, an innovative and uncomplicated user interface ensures that you can access all of this power quickly and easily. These features give the Lexicon PCM 70 capabilities far beyond any other effects processor available. It does not sound like a 224 or 224X as you read sometimes, but it sure has a classy sound. The delay sound quality is great also, really biting through the mix, and the flange and chorus FX are up with the better of them. Admitting that i actually use it not that often maybe comes from the fact that i sure have some big workhorses in the control room that often get used because they are default connected to the sends and returns of the console, like 2 224s, 2 300s, an AMS RMX16 and a SST282 by Ursa. Most of times it handles the vocals to glue perfect in the mix, thats why this is the most used machine in studios around the world. I absolutely loved it and the presets, but is was so noisy it had to go. While all outboard gear from this era suffer with a bit of noise, this unit is notorious from suffering with this annoying trait.
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